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At one point I got so worried that David was going to lose his pig for good that I bought a duplicate just in case. That’s my invention).ĭavid was prone to hiding this pig in all kinds of places, so bedtime was sometimes put off while we tried to track the pig down. My son David’s favourite, can’t-go-to-bed-without-him toy when he was little was a pig just like the one in the story, made of soft towelling material and filled with belly beans (although the real life toy isn’t called Dur Pig. These are the questions and answers, and at the end you can watch the video.Ĭan you tell us a bit about the inspiration behind the story? What inspired you to write The Christmas Pig?Īlthough the story is invented, the initial inspiration came from a real toy, or rather, pair of toys. Rowling did a interview with The Daily Mail, and read an extract of The Christmas Pig. To promote The Christmas Pig, the new book that is out tomorrow, J.K. Rowling and she reads and extract from the book October 11, 2021
HARRY POTTER AND THE CURSED CHILD BOOK EXCERPT FULL
In addition to the full interview with John Tiffany and Jack Thorne and the official final dialogue, the updated paperback and eBook will also include the Potter family tree and a timeline of major wizarding world events that occurred prior to the play.įor the full Pottermore coverage–with more interview excerpts!–read here.News Publications The Daily Mail: Q&A with J.K. “…I just hope able to read it as I wrote it…Jo on one shoulder and you, John, on the other – trying my best to express in every single line the emotional truth and honesty that runs through the Harry Potter books.” According to Pottermore, the actual revisions are slight, amounting to a “few small changes since rehearsals and early preview performances.” But there’s no doubt that any changes made were to great effect! The original publication is considered the “rehearsal” edition and has, over the course of the production, been tweaked here and there. It’s no wonder, then, that this new edition exists to be printed. Rowling and then tirelessly working it over until the transitions were seamless, the voices natural, and the action exciting and stirring by turns.
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The notable dichotomy between the hallowed and the hands-on may seem unusual, but it actually reveals much about their individual strengths and the beauty of their collaboration.Īs the director, Tiffany approached the script with deep respect, striving to envision what would move the viewing audience and most effectively bring both the flair and nuance of the story–and, thus, the magic–to life.Īs a writer, Thorne poured himself into perfecting and improving his script, collaborating with J.K.
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“My scripts are – and always have been – dog-eared, covered in indecipherable notes and smeared with baby puke.”
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“As a director, the first time you read a new script is very precious…It’s the closest you’re ever going to be to an audience watching a production of this script for the first time.”īut then, offering a glimpse into his own personal process, Thorne added: Tiffany spoke of the first read-through with great reverence: To promote the Official Playscript of the Original West End Production of Harry Potter and the Cursed Child, Pottermore teased fans with exclusive excerpts from one of the book’s new inclusions, an interview with director John Tiffany and writer Jack Thorne.īoth men are renowned, award-winning veterans of the theatre industry, so the combination of their vast experience brings a wealth of insight to the script-writing and production process. Leaky reported in April that Bloomsbury and Scholastic are set to release an updated, definitive edition of the Cursed Child script July 25.